The Creative Process : Leading up to a Show

Aaaack!  I've done it again!  It's not that I haven't thought about it, but the past few months, any time not spent in the studio has been guilt-ridden time!  Horrible from the marketing perspective, but really, who has time for all of this blog business when you're trying to get ready for a show?!?  And by show, I mean my first solo exhibition!  Super exciting!

Quirk Gallery is currently hosting an exhibition of my new work, right now through April 26.  So if you're in the Richmond, VA area, please stop by and check it out! 

 

SeaPod Wall Piece

photo by Linda Grimes

 

So yeah, it was pretty exciting to see it all up and installed!  With my name and everything!

 

 



 

Invitation Postcard

photo by Lauren Carroll

 

 

But let's go back for a moment, shall we?  It was last April that I planned this exhibition with Quirk.  A whole year.  So about July, I thought, "I have plenty of time, but maybe I'll start working on a piece before the move."

 

And that was as far as I got before having to pack up the whole studio and move to Winston-Salem in August.  Then I didn't touch it again until January.  So sad.  This piece did eventually come together... though I will admit, just a couple of weeks before my show deadline.

Apparently that's how I work best, because pretty much everything for the show came together in those last few weeks.  A few pieces in the last few days.  I don't know why I do this to myself.  I decided a week out from the deadline that I needed one more large neckpiece, and I did manage to finish it.  I had to leave on Wednesday morning, and literally finished the last piece about 7:00pm on Tuesday.  Geez. 

 

A friend of mine posted this to her facebook page when I was about 2 weeks from D-day. 

 

 

So true.  I guess we all do it.  Something about that last minute pressure.  Maybe it's just that you have no choice.  The last couple of weeks I was working all day in the studio, I'd have dinner with Mark, and then go back to the studio.  It felt like college.  But without the 1am trips to the bar.  Don't think I didn't think about it though...

 

 

Coming soon (I promise!) : lovely photos of show pieces taken by my lovely and talented friend Lauren Carroll and some shots show installation at Quirk!  Plese check back soon.  I swear it won't be another four months...

 



Winter/Spring 2013 Workshop Schedule

Here's your chance to get in on the metalsmithing fun this winter and spring!  Keep checking back for additions to the schedule!


Intermediate Metals/Jewelry : Forming
This class is designed for students who have learned the basics of jewelry fabrication (soldering, sawing, etc.) and want to expand their skills. There will be lots of demonstration and plenty of time to develop your skills. We will concentrate this session's demos on forming metal with both hammer/stakes and the hydraulic press. Materials available for purchase in class.

Sawtooth School for Visual Art : Winston-Salem, NC

Session 1 : Five Tuesdays
January 15 - February 12
6:30pm - 9:00

Session 2 : Five Tuesdays
January 15 - February 12
9:30am - 12:00

Exploring Enamels Workshop
Students will learn basic techniques in enameling such as sifting and kiln firing. We will also explore fun and contemporary techniques such as controlled over and under firing, inclusions and more. Students will make several samples and will have the opportunity to finish a few pieces to take home.

Visual Arts Center of Richmond : Richmond, VA

2 Day Workshop
Saturday, February 9 - 10:00-4:30
Sunday, February 10 - 1:00-4:00

Jewelry Fabrication Weekend Workshop
This is the perfect introduction to creating jewelry the traditional way, by starting with sheet metal and wire. You'll learn about the basic tools of the jeweler: a jeweler's saw, pliers, hammers, and the torch. We'll cover techniques that will enable you to create beautiful wearable jewelry, such as rings, bracelets, and pendants! We'll work with copper with sterling silver, and will provide all the materials, tools and equipment. No experience necessary - all you need is enthusiasm!

Sawtooth School for Visual Art : Winston-Salem, NC

2 Day Workshop
February 16-17 (Sat-Sun)
9:30 - 4:30

Intermediate Metals/Jewelry : Enameling
Enameling is an ancient process where glass is fused to metal through heat. Students will experiment with enameling on copper and are encouraged to explore the possibilities that this process allows. Annie will introduce a variety of enameling techniques such as sifting, stenciling, sgraffito, and basse taille. Students may apply these techniques to everything from pendants and earrings to decorative home items. No experience necessary. Most materials included in the fee.

Sawtooth School for Visual Art : Winston-Salem, NC

Session 1 : Five Tuesdays
February 19 - March 19
6:30pm - 9:00

Session 2 : Five Tuesdays
February 19 - March 19
9:30am - 12:00

NC Black Co. Micro Raising and Forming Workshop
Raising is a process for forming sheet metal into vessel form using the metal's natural response to hammering. Students will explore methods for creating miniature vessel forms. These methods can be used to create sculpture and jewelry as well as vessels. Students will focus on samples in copper and will create a raised vessel by the end of the class. We will also explore other Micro Forming techniques, allowing students to create small, voluminous, structurally sound forms to be used on their own or in conjunction with raised pieces. All tools are provided. This class is taught in tandem by Annie Grimes Williams and Julie Brooks of NC Black Co.
Some metalsmithing experience is recommended, but not required.

Touchstone Center for Crafts : Laurel Highlands, PA 

4 Day Workshop
April 26-29

NC Black Co. Micro Forming Workshop
Micro forming techniques are very useful in today’s market due to the rising cost of
precious metals. Using NC Black Co.’s specially designed tools, students will learn to
use thinner gauge materials to create voluminous and structurally sound forms. Students
will learn synclastic and anticlastic forming, as well as shell forming, all on a miniature
scale. We’ll get you creating small, delicate forms that can be used in jewelry and a
variety of other applications! This class is taught in tandem by Annie Grimes Williams
and Julie Brooks of NC Black Co. All tools are provided.

Columbus Cultural Arts Center : Columbus, OH  

2 Day Workshop
May 4-5

Disjointed Perspective

Apologies for the disjoint in my postings, friends and loyal followers!  2012 was a bit of a disjointed year altogether.  I actually can't believe it's over because it kind of seemed like we skipped from March to December in about three weeks.  There was a lot of work, some play, but mostly the packing/moving/unpacking/settling insanity that made things disjointed in my mind. 

I haven't posted anything to this blog since about a week after we moved back to Winston-Salem in August.  It's not that I haven't thought about it, but it's been a whilrlwind of stuff going on, and I couldn't make myself sit down long enough to actually do it.  I feel like I have had A.D.D. recently.  My mind hopping from one thing to the next, and it's kind of hard to concentrate and get the things done that need to get done.  Here is an example of a week's to-do list. 

Don't know if you can actually read my handwriting, but I divide it into categories based on my specific jobs: Home, CopperTide, CopperDog Studio, Teaching, NC Black, and my own work for upcoming shows, etc.  I try to prioritize within each category, and then check stuff off as I get it done.  But I think I'm going to have to go back to a schedule like the one I had in Richmond, too, where I have certain allotments of time each day for certain things.

Anyway, I'll be honest, I think maybe that one reason I have felt so weird the past few months is that I didn't really want to move to Winston.  Not yet anyway.  Don't get me wrong, I love being back closer to family and friends, and I have enjoyed every moment I've spent with them.  But in Richmond, I was getting things done, I was making things happen in a way that, for whatever reason, I didn't when I lived here in Winston before. 

I had moved to Winston-Salem after college.  My parents live about 20 minutes south of the city, so I had grown up nearby.  I never meant to move back so close.  But when I graduated from college, I had no job lined up and no money (and was seriously just starting to think that maybe a degree in Art was a touch on the crazy side.)  So I moved back in with my parents for six months.  Which I never meant to do.  I love my parents, and we are the best of friends now, but after you've been on your own for almost five years, it's a little tough to go back to living under their roof.  I got a part time job at a gallery in Winston.  Then I added another part time job at Jon Kuhn's glass studio.  All of this hoping that I would still have time to work on my own artwork.  Which I didn't do.  I was a little depressed.  Quarter Life Crisis and the whatnot.  After a few months of that, I cut back to weekends at the gallery and went on full-time at the studio, and soon earned enough to rent a small apartment in the city.  I lived there for four years and set up a tiny studio space on one side of my living room.  Then moved across the hall into a slightly larger apartment, where I finally had a whole room devoted to my studio!  Yay!  Progress!  But still, I wasn't getting that much done.  I felt kind of trapped and stagnant in my career.  It wasn't until the economy went sour, the glass studio was shut down, and I lost my job that I really started to formulate a business plan.  But I was also planning my wedding, commisserating with my fellow glass artisans, and trying to figure out what the hell I was going to do to make some cash.  Easy distractions from getting actual work done.  We got married, which was fabulous, and Mark moved in, which was glorious, but then we had two people and two people's (packrats') stuff in a tiny apartment meant for one.  So yes, all of these things are excuses. 

It wasn't until we moved to Richmond, and I was on my own during the day without distractions of the familiar life I knew in Winston, that I really started making things happen for my business.  I was really proud of myself and everything I had worked so hard to get rolling over the year and a half we had been in Richmond, and I wasn't ready to leave.  I know it wasn't Richmond itself, but it was being away from everything comfortable and forcing myself into these new challenges.  I was afraid that moving back to Winston-Salem and that comfort zone would be a step backwards for me career-wise.  That I would be easily distracted by friends and family, and that I wouldn't be able to carry on quite like I was.  I just wasn't ready to leave this place where I was making things really happen for the first time in my life.  And I was kind of right.  I have been distracted.  But it's my fault for letting myself get distracted.  For getting away from that daily schedule I had for myself.  I felt myself fighting off a certain kind of depression... maybe more like complacency... and that was distracting.

When the Christmas season rolled around this year, I kind of threw myself into it.  I made production work for holiday shows and filled orders for dog tags and ornaments.  And baked my little heart out.

I think I needed that break from thinking about things too seriously and getting all worked up in my brain about getting (and not getting) things done.  Now that the new year is here, I have plans to get back to it, balls to the wall.  I start teaching at Sawtooth School for Visual Art on the 15th.  (Winter class/workshop schedule coming soon!)  I start an apprenticeship with an amazing metalsmith on the 16th.  Details on that forthcoming as well.  I have a show at Quirk Gallery in Richmond in April, and a whole lot of work to make for that. 

Things have a way of happening, whether you're ready for them or not.  And things have a way of working themselves out.  It's all a matter of perspective.

Soooo.... back on my game.  Ready?? Go!!!

Fall 2012 Workshop Schedule

If you're interested in learning some fun metalsmithing techniques - such as enameling, raising, etching, and hydraulic die forming, then this is the post for you!

I know, this is the second post in less than a week's time - crazy.  But I want to go ahead and post this Fall's workshop schedule, as Fall is rapidly approaching! 


Exploring Enamels Workshop
Students will learn basic techniques in enameling such as sifting and kiln firing. We will also explore fun and contemporary techniques such as controlled over and under firing, inclusions and more. Students will make several samples and will have the opportunity to finish a few pieces to take home.

2 Day Workshop
Saturday, Sept. 15 - 10:00-4:30
Sunday, Sept. 16 - 1:00-4:00
Visual Arts Center of Richmond

Enameling
Enameling is an ancient process where glass is fused to metal through heat. Students will experiment with enameling on copper and are encouraged to explore the possibilities that this process allows.  We will introduce a variety of enameling techniques such as sifting, stenciling, sgraffito, and basse taille. Students may apply these techniques to everything from pendants and earrings to decorative home items. No experience necessary. Most materials included in the fee.

7 Week Class
Tuesdays, Sept. 18 - Nov. 6  (No class Oct. 6)
Sawtooth School for Visual Art

NC Black Co. Micro Raising with Galvanic Etching Workshop
Raising is a process for forming sheet metal into vessel form using the metal's natural response to hammering. This workshop focuses on traditional techniques in raising, but on a small scale. Using tools specially designed and fabricated by the NC Black team, students will explore methods for creating miniature vessel forms. These methods can be used to create sculpture and jewelry as well as vessels.   We'll also explore Galvanic Etching - etching with electricity rather than acid - techniques and apply these to some of our raised pieces.  This is an excellent workshop for beginners as well as experienced metalsmiths who enjoy learning new techniques.  Students will focus on samples in copper, and will complete a raised/etched piece by the end of the workshop.      

This workshop is taught in tandem by Annie Grimes Williams and Julie Brooks of NC Black Co. Two instructors for the price of one means that each students gets more individualized attention from each instructor. All tools provided.

1 Week Workshop
October 1-5 (Registration Deadline August 15!)
Pocosin Arts Folk School

Hydraulic Die Forming in the Jewelry Studio - Part 2
In this workshop, we'll further explore hydraulic die forming techniques, such as texture plates, contained die systems, creating punches, and more! We'll also work with pierced and formed metal in the press, and try different techniques for altering pressed pieces. This is a great follow-up workshop to the beginning die forming workshop in the Spring, but any student who has basic/beginner knowledge of hydraulic die forming is welcome. Supply list available prior to the workshop.

2 Day Workshop
October 20-21 - 10:00-5:00 both days
Sawtooth School for Visual Art

NC Black Co. Micro Forming Workshop
Micro forming techniques are very useful in today’s market due to the rising cost of
precious metals. Using NC Black Co.’s specially designed tools, students will learn to
use thinner gauge materials to create voluminous and structurally sound forms. Students
will learn synclastic and anticlastic forming, as well as shell forming, all on a miniature
scale. We’ll get you creating small, delicate forms that can be used in jewelry and a
variety of other applications! This class is taught in tandem by Annie Grimes Williams
and Julie Brooks of NC Black Co. All tools are provided.

3 Day Workshop
Friday Nov. 2 - Sunday Nov. 4, 9am-5pm
http://jacksonvillecenter.org/2010-classes/metalsmithing-02-by-media/

 


Hope to see you this Fall! 

Please check back - I'm still adding late Fall / Winter workshops to the schedule!

The Reasons Behind My Recent MIA Status

First of all, let me start out with apologies to my followers who have been waiting with baited breath for my next post since May.  Hopefully you have not given up on me completely.  Colossal slacking on my part when it came to sitting down at the ol' computer to write a few words.  Not only has my blogging suffered, but I have also fallen way behind on my research and marketing, and pretty much anything that didn't involve a quick check of email and facebook (shameless plug, but please visit and "like" me!). 

It's been a pretty intense summer.  Where did it go, by the way?  Here it is August 5, and it seems like it should still be June.  Here are some highlights of what I've been up to since my last post:

May
- My delightful parents came to visit, and we had a great time showing them all the lovely things Richmond has to offer - including this mural by Jeff Soto painted at the RVA Street Art Festival.

- Taught a workshop at Sawtooth School for Visual Art, Using the Hydraulic Press in the Jewelry Studio.  That was really fun, and I had a great group of students.  Sadly, I have no photos from that one, as we were crazy busy up till the very end.  (If that sounds interesting, I'll be teaching a Part 2 of that workshop this October 20-21.  Stay tuned!)

June
- Mark and I traveled to Ocracoke Island on the Outer Banks of NC for the Ocrafolk Festival.  It was a small two-day festival all about art, music, and story-telling.  Both CopperTide and CopperDog Studio were represented.  We had a great time, and will do that one again next year.  (Maaaaaaaajor improvement over the disasterous Watermelon Festival of last year.)

My booth

- Took an amazing Glass Fusing workshop at VisArts with Jude Shlotzhauer.  I learned so much, and I can't wait to make more pieces (albeit smaller pieces) in my own kiln!

This is a close-up of a fused/slumped bowl I made, about 10" diameter.

No, it's not spinning, that pattern is created with a technique called a "pot melt."

Detail of a fused/slumped glass tray I made, about 11"x7".

- Taught an evening Enameling class at the Visual Arts Center of Richmond.  Also a great class!

- Had more visits from fabulous friends and family.

 3 Generations of Annelles!

- Traveled to Winston-Salem, NC to look for a new residence... more on that later.

July
- Celebrated the Fourth with our marvelous neighbors and some fireworks, RVA style.  (I also became slightly obsessed with taking Instagram photos.)

- Taught a Micro Raising workshop at VisArts.  Another great time - I hope to see some of those students again for Micro Forming in Floyd, VA in November!

- Started work on a new neckpiece from the "Sea Pods" series.  (Haven't been able to finish just yet.)

- Thennnnnnn, we packed up our house, studio, and pets, and moved it all to Winston-Salem, NC!  Amazing how much stuff you have to fit into boxes when you're moving both your home and your business(es)!

Gabardine was very helpful in the packing process.

Winston-Salem is our hometown, and while we loved Richmond, this is just the place to be right now.  We have family and friends and lots of new opportunities, so here we are!  We finally got everything done with the wretched moving process (with a lot of help from awesome friends and family) and became Winstoners once again as of last Monday.  Last week consisted of mostly arranging and unpacking, along with a few much-needed naps, and I plan to get back to work full-time again this week.  So stay tuned - new adventures to come!

My new studio space!  Woot woot!

What to Do When You're Feeling Blue

Some weeks are a little tougher than others.  One week I'm all inspired and confident, and the next week I get smacked back down to reality.  Last week was one of those weeks.  I was already in kind of a mood anyway with all the crazy political business (I'm not going to get into that, don't worry).  Then there were a couple of rainy nasty days, and I missed my afternoon runs and going to the dog park.  Then I got a rejection letter for a guild I had applied to.  They were very nice about it... "many applicants... very subjective... not a reflection on you... new jury next year... please try again..."  but still, it's rejection... So then I got a returned package that I had sent to a lovely gallery in hopes that they would want to show some of my work, and by the scribbled handwritten note on my cover letter of "thanks for the information, but we're not accepting new artists at this time," my guess is that they didn't even look at my work.  Would have been nice for them to tell me that on the phone when I called so I wouldn't have to waste my time, materials, and postage, but you know, whatever.....

But stuff like that can shake your confidence a bit.  Which, for most of the artists I know, is often on shaky ground anyway.  Every couple of weeks (sometimes more) I consider quitting this business and getting a "real" job.  I mean, the thought of that makes me a little sick to my stomach, but sometimes it would be a lot easier just to go to work and come home and not have to worry about it.  Not have to put yourself out there constantly just to be told no.  I get sick of being "almost good enough."  What do I have to do to break through that barrier of "almost?"  I realize there will always be someone who is better at one thing than I am or who knows how to overcome another thing... but damn it, it gets frustrating sometimes.  And maybe the easiest thing to do would be to put this on the back burner and go get a full time job. 

But I did that.  And I hated it.  And I got nothing done.  And I felt stagnant and trapped and miserable.

So right now, even though I feel frustrated and less than confident about my work, I am not stagnant and trapped and miserable.  I'm still hopeful.  I still believe that there are all kinds of possibilities out there.  I just have to challenge myself.  I have to figure out how to break through the "almost" to the "awesome."  And it's going to take a shit-ton of hard work and pushing myself, even when I feel like quitting.  And I'm going to consider quitting again.  But then I'll go read The Alchemist and remember, "The secret of life is to fall seven times, and to get up eight times."  I'll look at my pinboard Words to Live By and all the little inspirational quotes I've pinned up for times like these. 

And I'll get on with it.

Spring/Summer Workshop Schedule

Want to learn some metalsmithing and enameling techniques?  Here are your chances this Spring and Summer!

Fall 2012 schedule is in the works - Check back soon!

Using the Hydraulic Die Press in the Jewelry Studio

Explore the fascinating realm of forming metal with a hydraulic die press. You can easily add dimension to your metalwork with the hydraulic press. Being able to easily create multiples of a simple form is one of its greatest assets. Students will learn to create original dies in acrylic sheet or other material, then use these dies to make puffed metal forms that can be altered using various techniques and textures. You can make multiples for a series of jewelry pieces, each one with the same outside silhouette but finished differently. The possibilities are endless. Basic Jeweler's Saw skills are helpful, but beginners are welcome.

2 Day Workshop
Saturday, May 19   -   10:00-4:30
Sunday, May 19   -   10:00-4:30
Sawtooth School for Visual Art - Winston-Salem, NC

Enameling for Jewelry and Beyond
Students will learn basic techniques in enameling, such as sifting and kiln firing. We’ll apply these techniques (plus a few other fun things) to everything from pendants and earrings to items for the home - think drawer-pulls and light switch plates!

5 Tuesdays : June 5 - July 3
6:00-9:00pm
Visual Arts Center of Richmond - Richmond, VA

Exploring Enamels Workshop

Students will learn basic techniques in enameling, such as sifting and kiln firing. We will also explore fun and contemporary techniques such as controlled over and under firing, inclusions, and more! Students will make several samples and will have the opportunity to finish a few pieces to take home.

2 Day Workshop
Saturday, June 23  -  10:00-4:30
Sunday, June 24  -  1:00-3:30
Visual Arts Center of Richmond - Richmond, VA

Micro Raising Workshop

Raising is a process for forming sheet metal into vessel form using the metal's natural response to hammering. Students will explore methods for creating miniature vessel forms. These methods can be used to create sculpture and jewelry as well as vessels. Students will focus on samples in copper and will create a raised vessel by the end of the class. All tools are provided. This class is taught in tandem by Annie Grimes Williams and Chuck Kennington of NC Black Co.
Some metalsmithing experience is recommended, but not required.

2 Day Workshop
Saturday, July 14  - 10:00-4:30 PM
Sunday, July 15  -  1:00-4:00 PM